Tuesday, February 9, 2010

gettin' yr goaty

The above-depicted strapping young lad, one Zully Adler ('11) has been putting out strange, enchanting sounds from the margins of the musical: bent circuits, delayed notes, enveloping drones, and yowls from the wide-open spaces of the American Network of Psychogeographic Deserts that dot and structure our landscape with his label Goaty Tapes. As the name suggests, Zully works in the medium of the small-run, obsessively hand-crafted cassette tape. This isn't some banal "I Love The 90's" cynically manufactured nostalgia, but, as the man himself put it in a recent, excellent interview on Eggy Records' blog, "tapes are unpredictable and hazy in ways that support DIY music's complicated relationship with authorship and the idea of production, as the medium itself contributes to the music-making and listening experience."

Goaty Tapes is a great example of how a record label is not and should not be simply identified with the money-grubbing of either the world of the major label or the "underground" hype machine which turns enough profit by selling packaged "authenticity" and "edginess" to keep up the coke habits and boutique-chic wardrobes of their proprietors. A record label can be a way of working with other people to realize an aesthetic vision, a creative process, a perverse fantasy that you find mutually exciting and a platform to build relationships with others on that basis. The label, no less than the product itself or the audio on it is a work of art, not one to be passively consumed in a gallery but rather an artistic creation which does something, which opens up a creative space that wasn't there before, inviting artists of all kinds out of the margins into new clearings for wierdness, dis/comfort, and possibility.

Here's a few tapes that caught my eye from some of the newest batches of what Goaty is currently hawking; for a full selection here, once again, is the website. My overly verbose "this is clearly just a way of procrastinating on my thesis"-style commentary is below.

Bananahead

Sunshine pop for an overcast day at the beach. Shimmery and reverb-drenched guitar melodies shuffle along with an endearing absence of regard for anyone else’s schedule as the distant voice of a wizend melancholic narrates your journey down someone else’s memory lane from the comfort of his residentially-converted airplane hanger. Unrepentantly weird, yet too suffused with pretty hooks and sentiments not to merit multiple listens.


HNY


Solo project of Heather from Social Junk wandering on a Peyote-drenched adventure through the drone desert on a cool night illuminated by the light of the full moon. Creeping drones and far-off loops form a sweetly eerie soundscape as Heather’s viscous vocal chants patiently light up the soundscapes with some well-placed affects of a…human.


Trudgers

Darkly haunted pop played on a much-too-old jukebox in a dimly-lit, smoky dive bar (location: Nowhere, OK) as Ian Curtis does a bump off Lou Reed’s erect penis. For fans of uber-baritone jangle-goth everywhere, this is some charming shit.

THIS IS BUT A TASTY TASTY TASTE...GET THE WHOLE MEAL AT www.goatytapes.com!!!

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Monday, February 8, 2010

Christopher Lee: King of Metal

You don't have to have more than a passing acquaintance with the works of Tolkien or the world of heavy metal to know that Lord of the Rings is fucking metal. Epic quests, dark forces, Manichean battles of the forces of light and darkness...it's all there. But now Christopher Lee, who played Sauroman in the LOTR movies, is taking the connection a bit further.



Here's a little taste of what the dark wizard is up to. Nobody ever said metal wasn't goofy...ESPECIALLY "symphonic metal"


Thanks to the "sustainable satanists" over at Are You Going to Eat That? for bringing this to my attention.
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Das Racist, LE1F, Harrison Schaaf, and Yea Mannn at Eclectic





Come to Eclectic (200 High St) on Friday, February 12th to rage, party, dance, and listen to witty raps about fast food chains. The lineup consists of Wesleyan DJs Ian Johnson and Harrison Schaff, live performer and seriously durrrty rapper Khalif Diouf, as well as Das Racist. Based out of Brooklyn, Das Racist is composed of Wesleyan alumni Himanshu Suri and Victor Vazquez. They first gained mainstream attention with the song "Combination Pizza Hut and Taco Bell." Since then, Das Racist has been featured in Pitchfork Media, XLR8R magazine, The Village Voice, The Guardian, and The New Yorker, just to name a few. They recently performed in New York's CMJ Music Marathon where The New York Times described them as "characteristically shambolic, and characteristically entertaining, holding together a half-hour set of half-performed songs with hyperliterate reference points and self-aware charm." On January 19th, they headlined Highline Ballroom in New York City. It's also rumored that Fox News will be doing a write-up about the show on Friday night.

Tickets on sale at Usdan $7.

SET TIMES
Yea Mann:
9:00-11:00

Harrison Schaaf:
11:00 - 12:15

LE1F:
12:15 - 1:00

Das Racist:
1:00 - 3:00 Read more!

Thursday, February 4, 2010

Promote Art to Help a Country


A few members of the Wesleyan Community decided to organize a concert series that would raise money for Haiti. This fundraiser will be ongoing throughout the semester. 
                       Friday, February 5th is the first event.
The benefit concert will feature -
Duchampion
Fly Machine
Linus

Psi Upsilon
10 pm

This a great opportunity for Wesleyan students to come together in support of the Haitian people and help in the aftermath of a devastating natural disaster.

Check out da OOZdan for tickets, or pay at the door
All proceeds will go to Partners in Health

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Wednesday, February 3, 2010

TIDAL ARMS//THE CREEPS//BEAT THE GRAVE @ WESTCO CAFE 02/06/2010

SICK SHOW BRO


TIDAL ARMS

w/ THE CREEPS (ex PSYCHIC DEATH)

and BEAT THE GRAVE

WESTCO CAFE

SATURDAY

FEB 6

FREE

Call me old fashioned, but I occasionally like to see a fucking rock show. And this is a fucking rock show.

-TIDAL ARMS - new band, based in New York, playing intricate, loud, pretty music with no shortage of stoner metal riff outs. Think of them as a Gundam: Their drummer used to be in From Autumn to Ashes (I know a few of you are like OMG!!), their guitarist/vocalist has played with campus favorites Big Tree, and their bass player used to be in Kiss Kiss. Together, they make a powerful, towering metal monster. A formiddable force.
Check out their myspace: www.myspace.com/tidalarms

-THE CREEPS (formerly known as PSYCHIC DEATH) - WesBand, loud, jagged, postpunk but definitely something you can shake yr ass to. This is the kind of music that smart, angry people make when blowing off some steam. I can almost guarantee that clothing will be removed during this set, either forcibly or due to aerobic exertion. Rayna Edwards, vocalist, puts on an incredible performance. Plus - as a bonus for fans of their show last semester - I heard that they have 4 new originals to perform.

-BEAT THE GRAVE - Wesband, two dudes playing shit that is sticky-sweet catchy. Fast paced, sick riffs, would fall comfortably on the original Tony Hawk's Pro Skater soundtrack. They were really great at Eclectic with Shilpa Ray.
They've also got a myspace: http://www.myspace.com/beatthegrave

--As a quick side note - some of you may have heard that this concert was slated to take place at DKE. It's true! And it was going to be a fun time, too. It's just that some administrative shit fell through. I would really like to see some fun music happen there this semester, though.
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Tuesday, February 2, 2010

Break Away from the Groundhog

While I never understood why Bill Murray was idolized in Zombieland (shown last Friday in the film series), he sure did make Groundhog Day quite a memorable (or at least repetitive) one.


The Last Minutes come to the Shadow Room on Main St. to break away from the monotony of Groundhog Day this February the Third.

You may have seen them at Eclectic, or maybe over the past year or so at other venues on campus, but their sound is not one to be taken for granted. Remembering back to their first show on Wash, the sound of the Last Minutes has greatly evolved since their eager beginnings.  They are gracefully turning into a cohesive musical collective.

As the great contemporary philosopher and professional whistler, Andrew Bird, once said, "oh what a lovely sound!"

Get out of the library, breathe in the chilly February crisp, and see the Last Minutes

Shadow Room
170 Main Street
February Three

. . . before your time is up!


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discursive

Campus synth-pop revivalists Discourse (Mark McCloughan and Asa Horvitz '10x2) have got a new video out for their sweet n' somber song about love and loss Golden Year. The audio track was produced by Ian Staub ('10) and the video is courtesy of Spencer and Chelsea Sheridan ('10['10]/'10).

Discourse - Golden Year from If And Or Magazine on Vimeo.



I don't know about you, but I'm under the distinct impression that this shit rules. See you on the dancefloor, kiddies.
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Monday, February 1, 2010

fugazi + wes alum = instrument

“The best thing to say about music videos is turn off the fucking MTV. Unplug it, switch it, don’t pay for it […] watch something else,” said filmmaker/Wes alum Jem Cohen ’84 in an interview with Fluid Video Crew. Cohen is responsible for the Fugazi documentary Instrument. A friend of the legendary D.C. quartet, he spent 10 years filming and directing this amazing movie. I was introduced to the film last semester and over winter break found an interesting clip from it that’s posted below. If you don’t know who Fugazi is, then get your shit together and watch this video! If you have experienced the epic voyage that is listening to Fugazi, I don’t need to tell you twice to watch it. Too bad I wasn’t alive to see this happen…. (enjoy)

If that isn’t enough to satisfy, I recommend purchasing Instrument and/or watching this interview of Fugazi front man Ian MacKaye on VBS.

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